The great stage pit etiquette guide for music photographers by Andrew B. Powers

In the past, I've written about the stage pit etiquette, focusing on general courtesies in music photography. These include considerations like maintaining proximity with fellow photographers, handling your gear, and moving with minimal disruption. However, the scope of concert photography etiquette extends far beyond these unspoken norms.

Moving beyond the practical tips I've shared, let's dive into some deeper aspects of stage pit (NOT “photo pit”) behavior that every music photographer should be aware of. I'm talking about the biases, and instances of disrespect that can pop up based on factors like gender, race, appearance, or even the photo gear you're lugging around. These things aren't limited to just music photography - sometimes in the stage pit, it's kinda like a mini version of the whole wide society out there.

R-E-S-P-E-C-T

So, here's the deal: We, as music photographers, need to step up our game. Let's make it a goal to constantly improve our behavior and actions. Well, it kicks off with one simple thing – respect for all your fellow photographers.

Equality

When you enter the stage pit, judgments and biases should be left outside. Upon entering the stage pit, remember, everyone has equal rights to be there and perform their work. Every individual sporting a photo pass is subject to the same rules and enjoys the same access.

The camera gear, age, attire, or any other factor should hold absolutely no weight. When the show is done, it's solely the quality of the images that carries significance. That's the true measure of our work, no question about it.

Awkwardness

It might sound obvious, but let's be absolutely clear - there's no room for weird behavior in the stage pit. Photographers are there to do their job and capture great images. That's the sole focus. Nobody's looking for a date in the stage pit or wants to talk about politics, religion, etc..

Behavior

Regardless of your client, whether it's a renowned publication like The Rolling Stone or even just a very famous artist, it's crucial to recognize that your images aren't inherently more valuable than anyone else's. Gatekeepers have diligently reviewed and approved photographers across the board, from well-established daily newspapers to prestigious national and international magazines to up-and-coming blogs.

In essence, if you're not granted special access, it's because you're on the same footing as everyone else. Special access is reserved for those who genuinely hold a distinct status or role. If you were truly very special, you'd get special access pass, like "Access all areas". If you're sporting the same pass as your fellow photographers, your entitlement is no greater and no lesser than every other photographer.

“Hello… !”

It's a simple gesture, but saying "Hello!" to a fellow photographer in the stage pit you've never met before can have a significant impact. Why? Well, despite photographers often being seen as lone wolves, this is how you can begin building a sense of community and fostering camaraderie.

Moreover, connecting with other photographers can shift your perspective. Engaging in a simple chat can help dispel the notion that they're your hostile competitors. It might seem like a small change, but this can do wonders for your mental well-being.

If you spot someone new, strike up a conversation. Ask them if they've shot in that venue before or if they've seen the band perform. If you're a regular at the venue or familiar with everyone else, make an effort to talk to the unfamiliar face. And if you're the newcomer, approach someone who seems well-acquainted with others. You don't have to become best buddies with everyone in the stage pit – but why choose enmity?

Photo gear

The camera gear you bring should never dictate how you're treated in the stage pit. The way you behave and show respect to others should remain entirely separate from the cameras or lenses you use. Let's ensure that any form of prejudice, homophobia, sexism or racism disappears at the very latest when you pick up your photo pass.

We're all aware that high-end camera gear can make the job more convenient, but it doesn't automatically elevate your status and your skills as a photographer. Your true talent is demonstrated solely through the quality of your photos, not by the size of your lens.

Mansplaining

Here's a straightforward request: Men, let's put an end to doling out unsolicited photography advice to women or anyone, really. Instead of appearing helpful, it often comes across as condescending.

When it comes to evaluating a photographer's skill, there's only one thing to look at - their images. Nothing else can truly speak to their level of expertise. Not their gender, height, race, personal relationships, age, faith, or appearance. Not their publications or whether they're getting paid. Even the gear they use is beside the point.

Speak up for others

If you see any of the objectionable behavior above, raise your voice. Whether it's from another photographer or a security guard speak up - because all should also know better.

When you see another photographer hassling a fellow photographer, speak up. If you notice security unfairly targeting women in the stage pit, don't hesitate to voice your objections.

Never condone disrespect or abuse when it's in your sight!
Take a stand for those who might struggle to raise their voices or perhaps too fragile to do so. This action becomes particularly significant if you're familiar with the person responsible.

Again, respect!

It's worth emphasizing - respect is the golden rule in the stage pit. Every action within that pit should be grounded in respect. Respect for your fellow photographers, respect for the artists gracing the stage, respect for the fans, and respect for all the individuals laboring to make the event happen. There are no exemptions to this principle!

Conclusion

If you're a music photographer, you're likely aware that many aspects of etiquette ultimately boil down to one core principle: RESPECT!
These aren't just practices exclusive to music photographers; they extend far beyond the confines of the stage pit.

The world of music photography is a community that we all collectively shape. In this community, ignorance and prejudice have no place. Concert photography etiquette is the linchpin that enables us to do out jobs effectively and with fun.

I implore all music photographers not only to envision the kind of community they wish to be part of but also to actively confront any wrongdoing they encounter. It could be as "minor" as someone belittling another photographer for their gear, questioning their credentials or because they are a woman. However, music photography community can only get stronger, when we establish an inclusive space, where everyone has the opportunity to thrive.


Do you have any recommendations or personal guidelines that you find helpful?
Please feel free to comment and share your thoughts on “the great stage pit etiquette guide for music photographers”.

More knowledge

If you haven't had a chance to read it yet, I encourage you to explore my article titled "101 stage pit etiquette for music photographers". It offers a wealth of additional tips and guidance on navigating the practical behavior in stage pits, especially when you are working in a big crowd of photographers.


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POWERSPEDAL "THE SUCKER!" - Dying Battery Simulator by Andrew B. Powers

POWERSPEDAL "THE SUCKER!" - Dying Battery Simulator

The POWERSPEDAL “THE SUCKER!” emulates the effect of a dying 9V battery on guitar effect pedals.

My dying battery simulator pedal is the perfect solution for guitarists, who love the sound of their analog guitar effect pedals as the power of the battery starts to sag.

For example, many fuzzes sound better when the battery is empty and no longer supplies 9V. With THE SUCKER! you can easily do this all the time! Maybe it sounds a bit crazy, but it can sound pretty damn cool!

One of the biggest challenges in achieving the perfect “dying battery sound” is the lack of consistency. With THE SUCKER! you can dial in that perfect sound with precision every time. You also won't have to wait until your battery gets low to achieve those sought-after sounds. Simply plug your guitar effect pedal into THE SUCKER! and you're ready to go - and even with the power supply unit that you have been using for the power supply of your effect pedals.

POWERSPEDAL "THE SUCKER!" - Dying Battery Simulator

With the big knob, you can have precise control over the voltage of the plugged-in effect pedal and achieve the perfect sound for your needs. The digital voltage meter display, can easily monitor the power supply of your effect pedal and you can see exactly what voltage is perfect for effect pedal and your individual sound.

Please note: The dying battery simulator is intended only to be used with analog pedals. Digital pedals typically require more power and don’t generally function properly on lower power. They may even be damaged by being used with lower power.

THE SUCKER! works with standard “BOSS style” center-negative (2.1mm x 5.5mm) power supplies and include a male-to-male power patch cable to connect your effect pedal.

POWERSPEDAL "THE SUCKER!" - Dying Battery Simulator

Specifications:
Power supply: 9V DC
Power output: Range of approximately 2 to 9 volts
Dimensions (case): 3.65in x 1.52in x 1.22in // 93mm x 39mm x 31mm
Weight: 5.0oz // 142g

Box content:
- The POWERSPEDAL “THE SUCKER!”
- Male-to-Male power patch cable (2.1mm x 5.5mm, center-negative)

POWERSPEDAL "THE SUCKER!" - Dying Battery Simulator

Designed and handwired with ❤️ in the California and England.

Order yours today and experience the difference it can make in your audio setup!

 

If you have any questions, please drop me a message!

POWERSSUMO - MIDI Sustain & Modulation Pedal by Andrew B. Powers

POWERSSUMO - MIDI Sustain & Modulation Pedal

This pedal is designed to work with any MIDI keyboards, that don't have a dedicated 6.3 jack.

If you're a keyboard player, you know how important sustain and modulation pedals can be to create the right sound and expression in your playing. However, not all MIDI keyboards come with a 6.3 jack to connect one. That's where the POWERSSUMO - MIDI Sustain & Modulation Pedal comes in.

POWERSSUMO - MIDI Sustain & Modulation Pedal

This pedal is designed to work with almost any keyboards. It connects to your keyboard through the MIDI port and provides sustain or modulation capabilities.

Introducing this versatile and dynamic MIDI sustain and modulation pedal - a game-changer for any keyboardist. Because this pedal provides two effects in one. When one of its modes is switched on and active, the built-in LED indicates this with a short flashing sequence of 5 times. With the switch in the "S" position, the pedal provides a realistic and precise sustain effect that allows you to control the length of your notes with ease. And with the switch in the "M" position, the pedal provides a dynamic modulation effect that adds depth and expression to your playing. With the built-in LED that turns on when the foot switch is pushed, you'll always know when the effect is engaged.

The original Hammond enclosure has the great typical ANDREW B. POWERS design and is made from high-quality diecast aluminum with a metallic finish. Therefore that can withstand the rigors of regular use. Rubber feet guarantee a stable and secure standing position. The design is very sleek and compact, making it easy to transport and use in a variety of settings. It’s the smallest pedal available on the market.

POWERSSUMO - MIDI Sustain & Modulation Pedal

Specifications:
Output: MIDI-USB-B-Buchse, MIDI DIN (5V)
Power supply: 9V Battery
Current consumption: 8mA
Quiescent current: 2mA
Dimensions (case): 3.65in x 1.52in x 1.22in // 93mm x 39mm x 31mm
Weight: 5.75oz // 163g

Box content:
- The famous POWERSSUMO - MIDI Sustain & Modulation Pedal

Designed and handwired with ❤️ in the California and England.

In summary, the POWERSSUMO - MIDI Sustain & Modulation Pedal is a must-have accessory for any keyboardist looking to add greater control, expression, and versatility to their playing.

Order yours today and experience the difference it can make in your audio setup!

 

If you have any questions, please drop me a message!

POWERSRECCAB - Design Record Cabinet by Andrew B. Powers

The POWERSRACK is beautiful uniquely handmade design cabinet for vinyl records, Hi-Fi equipment and books

Indulge your passion for music with the POWERSRECCAB. Handcrafted with meticulous attention to detail, this exceptional record cabinet offers a stylish and practical solution for storing your beloved vinyl collection.

The sturdiness of solid multiplex beech panels ensure that each of the four compartments has been ingeniously crafted to accommodate approximately 52-64 records (album, 33 rpm) along with their covers. This means that records with a total weight of up to 204 lbs. (92.4kg) can be loaded.

Except for the wood of the top, everything was stained was staining with a mid walnut color and coated with five layers of the finest shellac. So the surfaces look fantastic.

What truly sets this record cabinet apart is the table top, which have been artfully repurposed from reclaimed wood boards and beams. These reclaimed wood have lived lifetimes as part of industrial businesses, construction companies and old houses, including wood washed up on shores. After extensive cleaning and sanding, several coats of Danish Oil were applied to seal and finish the beautiful wood surface of the table top. As a result, a satin matte finish is created that is hard, durable and incredibly attractive. Please note: Table top plate which can be seen in these photos is made of wood from a burnt down house.

To protect the covers of the records when removing and loading into the cabinet, the bottoms of the compartments are lined with soft but durable felt.

Designed with both style and functionality in mind, the classic hairpin legs lend a modern flair to the cabinet, beautifully complementing any décor. The steel legs are sealed with a special rust preventing coat, few natural rust spots may appears, this gives a great and more aged industrial feel.

Included in the scope of delivery are rubber tips for the ends of the hairpin legs. The rubber tips help keep the furniture from shifting or gliding on bare floors while offering protection from scratches to the floor.

Record sideboards are designed with enough space to store Hi-Fi and power cables on the back. As a result, the POWERSRECCAB can be placed very close to any wall.

Whether it graces your living room, music corner, entertainment area, music studio or record store, this cabinet becomes the centerpiece that sparks conversations and leaves a lasting impression on your guests.

The POWERSRECCAB are 55.11in/140.0cm wide, 15.75”/40.0cm deep (depth of compartments 13.19in/33.5cm) and 29.5in/75.0cm high (length of the legs 14.17in/36.0cm). Available in color of walnut (“WEST HOLLYWOOD”). This studio rack is available in UK, USA, Canada, Europe and Australia.

Designed and manufactured with ❤️ in the California and England.

Order yours today and experience the difference it can make in your audio setup!

 

If you have any questions, please drop me a message!

What are LUTs? - In simple words! by Andrew B. Powers

What are LUTs? - In simple words! - Color Grading - Movie - USA - Highway

You would like to use LUT? Here is what you need to know.

First things first, what are LUTs?

The abbreviation LUT is an acronym that stands for “LookUp Table”. Very basically, LUTs can be seen as “video filters”, like (photo) Presets for Adobe Lightroom.

LUTs are used in many different scenarios from creative looks, calibrating monitors or even log conversion LUTs. They are universal compatible in most video editing software which makes them very easy to transfer color profiles between all your software and devices.

Technical explanation

A LUT file is only a simple table of numerical values used to adjust an image’s visual properties.

You can open a LUT file in TextEdit or Notepad and read it.

Just plain text readable numbers, in a specific order. But this simplicity, makes the tool so powerful. Because you can use LUTs in almost every Video editing software like Blackmagic’s DaVinci Resolve, Adobe’s Premiere Pro, Apple’s Final Cut Pro X or any other program that supports 3D .cube files.

Every LUT file spells out what those numbers mean. So each number in the table refers to a specific color value in your footage and the numbers in the table tell the video editing software how to change it. Make it brighter or darker, more contrasty, more saturated, redder, greener, bluer or whatever combination is specified.

1D and 3D LUTs

There are 1D and 3D LUTs. The difference between them is that a a 1D LUT only applies to a single color channel (like the curves control in Photoshop) whereas a 3D LUT is a cube like matrix covering transforms for all three color channels across any and all combinations. Whenever “LUTs” has been mentioned so far, it has always meant “3D LUTs”.

Color Space and Picture Profiles

Many of the latest mirrorless cameras come equipped with advanced video features, such as the ability to shoot in a flat picture profile like LOG, Cinestyle or HLG. However, when you view the resulting footage without any further color grading, it may appear unimpressive, lacking depth, and looking rather "washed out."

The reason behind this is that these profiles are designed to capture as much dynamic range as possible. The internal data of the camera, such as saturation, shadows, mid-tones and highlights, needs to be as neutral as possible to avoid losing color information or overexposing highlights, resulting in blown-out areas.

This neutral starting point is critical when color grading in post-production, as it gives us the freedom to manipulate the footage's color and contrast as desired without compromising the image's quality. Therefore, while the footage may look dull initially, it provides a solid foundation for creating a stunning final product.

Color Space Rec.709, Adobe RGB, sRGB

How to use a LUT?

You can use LUTs in almost every Video editing software like Adobe Premiere Pro, Final Cut Pro X or DaVinci Resolve or any other program that supports 3D .cube files. In most programs you can do so by adding a LUT Effect to your clip and then add the .cube LUT to your footage.

What are the benefits of LUTs?

A few reasons why Lookup Tables (LUTs) have become an essential tool in modern digital media production. They are versatile and can be used for a variety of purposes, from adding creative looks to videos, to calibrating monitors, and even converting log footage.

Easy to use
LUTs are incredibly user-friendly and easy to work with. These compact files, typically around 1MB in size, can be used with all major editing software without any issues. Each LUT contains a specific color value, making it an indispensable tool for a variety of purposes, such as presets, monitor calibration and more.

Compatibility
LUTs are universally compatible, making them the standard for seamless integration between hardware and software. Regardless of the editing software or hardware you're using, LUTs will work smoothly and efficiently.

Software
LUTs are compatible with almost all editing software. If you find that your software doesn't support LUTs, it's highly recommended to switch to a more modern and up-to-date editing software that is compatible with LUTs. There are numerous video editing software options on the market today, and choosing the right one for your needs can be a daunting task.

Whether you're a beginner or an experienced editor, finding the right editing software with LUT support will enhance your workflow and enable you to produce high-quality video projects. With LUTs, you can easily achieve stunning color grades and transform your videos into masterpieces that will capture the attention of your audience.

Hardware
This is where LUTs are used in more technical environments. They are widely used for calibrating computer monitors and camera monitors to ensure accurate color representation.

Lookup Tables (LUTs) are highly used to give a specific look on your monitor while filming in the camera world. By implementing LUTs, you can obtain a preview of the final footage and have a better understanding of its overall visual aesthetic. Especially when you shooting in Log color space, it can be challenging to envision the final appearance of your footage after color correction. The Log color space tends to appear dull, with a lack of vibrant colors. To tackle this issue and ensure a more enjoyable filming experience, camera operators rely on LUTs.

Color calibration
Color calibration is a well-known term that has been in use for many years. Monitors adhere to a defined set of color rules to provide a specific color space on the screen. LUTs play a crucial role in this process. They serve as a preset that holds the colors for the monitor to read, enabling more accurate and consistent color representation. This technique is also widely used in the film industry for on-set monitoring too.

Color correcting and Color Grading
LUTs play a significant role in video editing and are particularly valuable for those who may not have the necessary artistic skills or interest in the color grading process. LUTs can provide a convenient and powerful solution to enhance the creative process of video editing.

One area where LUTs are especially useful is correcting Log footage to achieve a natural look. Without LUTs, editors would spend a significant amount of time attempting to accomplish this manually. To streamline this process, I have developed a series of LUTs designed to save time and ensure optimal results.

What is the best camera for video and LUTs?

Almost every camera nowadays can be a powerful tool to record professional video. My first camera when I started with professional videos was a full frame Canon 5D MKII. Later I got myself small and bigger mirrorless camera that let me shoot beautiful up to 8K videos.

Over the years I tried several other camera brands like Blackmagic Design, Sony, Nikon and Panasonic while searching for my personal perfect setup. In the end for me, I don't care about brands. I prioritize using equipment that meets my needs and is available.

It's really not about the specs! But it’s about knowing how to get the most out of your camera and storytelling that touch.

So let me tell you this - All of the cameras out there can turn an idea into a masterpiece.

Any downsides?

There aren't many downsides to Lookup Tables (LUTs).

You can of course add edits on top of the LUTs, but you cannot edit the core value of the LUTs. Another downside is that LUTs don't carry all color grading information. You cannot change the exposure or any luma settings. and you cannot isolate specific colors to individually change them.

If you really wanted to color grade to the top-level, you would be using Blackmagic's DaVinci Resolve to color your own footage.

Why should you use LUTs?

Lookup Tables are an invaluable tool for video editors of all levels, from beginners to Hollywood professionals. Essentially, LUTs are pre-configured color presets that can be used to apply specific looks and styles to video footage, and are compatible with all major editing software.

One of the most common uses for LUTs is for color grading. By applying a LUT, you can instantly achieve a particular color grade or look, which can then be refined further to create a unique and striking visual style for your video project.

LUTs can also be used to bring Log footage back to life, by adding contrast and saturation to otherwise flat-looking footage. This can be achieved by applying a specific LUT that converts the Log footage into a Rec709 color space.

LUTs are not only limited to post-production; they can also be loaded into camera monitors or desktop monitors. By using LUTs to calibrate your monitor, you can achieve accurate and true-to-life colors, which is especially important when color grading footage. For on-set monitoring, LUTs can be used to give an idea of what the finished look of the film might be or even to preview a natural look when using Log profiles.

With their versatility and ease of use, LUTs are an essential tool for any video editor looking to achieve stunning and professional-looking results.

 

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BIG security risk - Photo passes on social media by Andrew B. Powers

Social media has an undeniable impact on our world and of course that includes the music industry, including the niche of concert photographies. As photographers in this field, we deal with visual media that ranges from showcasing our work to providing insights into our lives.

For emerging music photographers and individuals involved in live events may be excited to receive credentials. Whether it's a coveted photo pass, a tour laminate, or a festival credential, the inclination to share images of these achievements on social media is entirely natural. However, here's why you shouldn't.

Security measure

Passes serve as a vital security measure, designed to guarantee that only authorized individuals gain access to restricted areas. These include not only sensitive locations such as backstage areas, dressing rooms, rest areas, technical areas, parking for nightliners and trucks or the catering, but the events as a whole as well.

The passes are primarily important for the organizers of the event and the security. Because they are a fundamental part of ensuring the safety of the event staff and visitors.

Forged passes

The critical reason for refraining from posting photos of photo passes, tour laminates, and other event credentials is the ongoing issue of people attempting to counterfeit these items in order to gain unauthorized access to events.

A noteworthy incident from 2021 involved a TikToker who garnered attention for fabricating a pass for a Kanye Donda event. On camera, he boasted about securing a better view of the show than even Kanye's own family. This individual had discovered a social media post displaying the passes. He built a rough facsimile and made his way through the security easily.

There are special forums on Reddit communities dedicated only to the art of pass forgery and admission tickets. Additionally, there is a group of wannabe influencers who engage in pass counterfeiting as a means to attend concerts and other events -only to get attention in the social media.

More complications

Nearly every photographer has encountered situations where they received one set of instructions from an authority figure of the event organizer only for security to have conflicting interpretations. Then, despite previously clearly communicated and established rules, misunderstandings can arise. Access restrictions, limited time quotas and more are then the result.

Counterfeiting passes adds an additional layer of complexity and challenge for everyone involved. Whenever there is a perceived security risk, security measures are intensified, leading to increased scrutiny of all individuals. Publicly sharing images of photo passes on social media compounds this problem by amplifying the need for heightened security measures.

Security

Credentials play a vital role in facilitating access to secure areas, and it's imperative that only authorized individuals occupy these spaces. I'd rather not get into the most extreme possible consequences of publishing credentials on the Internet.

I implore you, let's prioritize the safety. Let's ensure the well-being of our peers, the fans, and the artists.

Therefore, please refrain from sharing photos of your event credentials online. This includes not just your photo passes but also your tour laminates, festival badges and also your ID.

Timing

When is it appropriate to share photos of passes? The safest timing would be once the tour has concluded. Credentials are routinely changed from one tour year to the next, precisely to enhance safety. After one tour concludes, the subsequent tour featuring the same artist will introduce entirely new sets of credentials with distinct appearances.

If you still decide to post a pass online, I strongly advise waiting until the tour or festival has wrapped up.

How to

If you wish to share images from your work while using a photo pass, it's advisable not to show it. Ideally, remove it and stow it in your pocket or somewhere discreet. Always make sure that the pass isn't easily recognizable.

For BTS photos, you can get creative by adding GIFs, stickers, or emojis over the photo pass to mask it. Basically, any method of hiding the pass is better than showing.

Conclusion

  • Passes serve as a security measure

  • There are individuals actively attempting to counterfeit passes

  • Counterfeit passes pose a substantial security risk

  • Fake passes and unauthorized entry attempts create difficulties for everyone

  • Don't show your pass around swankily, when you're out in public

  • If you do decide to post passes, then never during an ongoing tour or event

  • Conceal passes within photos or cover them before posting


If you are new to music photography, welcome. Please share your photos - just not your photo passes!

Do you have any recommendations or personal guidelines that you find helpful?
Please feel free to comment and share your thoughts on “BIG security risk - Photo passes on social media”.


If you like my work or the free stuff and want to say thank you, please use this opportunity now and

 
Buy Me a Coffee at ko-fi.com
 

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POWERSYAP - Headphone Amplifier by Andrew B. Powers

POWERSYAP - Headphone Amplifier (Backside) 

The POWERSYAP is the perfect solution for your audio problems.

The POWERSYAP is a pretty awesome headphone amp. Whether you're performing live, recording in the studio or want to practice your guitar playing without disturbing others or need a compact solution while traveling. This headphone amp is the perfect tool for any musician.

POWERSYAP - Headphone Amplifier (Mono Mode with In-Ear Headphones)

This headphone amp is versatile and can be used with a line-level mono output, like the monitor output from any mixing console, to power your headphones or in-ear monitors. It can also be used in the studio from a headphone output to give your artists volume control. Additionally, you can plug the headphone amp into those unused line outputs on the back of your interface to provide more headphone mixes for everyone in the studio.

If you own high-end headphones, this amplifier can also be a good investment to improve your listening experience. Because this kind of headphones have a High-impedance and require more power to drive to a reasonable volume. Using the POWERSYAP headphone amp with high-end headphones can result in improved sound quality, including better dynamics, clarity and detail in the audio.

POWERSYAP - Headphone Amplifier (Top View)

You can plug in either a stereo TRS or a mono TS quarter inch cable to the YAP amp, and you can easily toggle between a mono or stereo input with the M/OFF/S switch on the back side. The LED indicates the active mode and whether the input signal is being processed as a incoming mono or stereo signal. The headphone amp is built with high-quality and reliable jack connectors from Neutrik. The original Hammond enclosure has the great typical ANDREW B. POWERS design and is made from high-quality diecast aluminum with a powder-coated smooth green finish.

POWERSYAP - Headphone Amplifier (Back Side) 

The POWERSYAP is powered by an external 9-volt BOSS-style DC power supply, but it can also be powered by a 9-volt battery (battery clip included). This makes it perfect for situations where an external power supply is not available.

POWERSYAP - Headphone Amplifier (Stereo Mode) 

Specifications:
Input: 1/4" // 6.35mm TS/TRS (switchable mono/stereo) jack
Output: 1/4" // 6.35mm TRS stereo jack
Power supply: DC 9V
Quiescent current: 6mA
Recommended headphone impedance: 80-200Ohms
Dimensions (case): 4.43in x 2.38in x 1.22in // 113mm x 60mm x 31mm
Weight: 8.2oz // 233g

Box content:
- The famous POWERSYAP headphone amplifier
- 9-volt battery clip
- Adaptor for headphones (1/4 to 1/8 Inch)

Designed and handwired with ❤️ in the California and England.

In summary, the POWERYAP headphone amplifier is a reliable and versatile device that will help you solve your audio problems and improve your guitar playing experience.

Order yours today and experience the difference it can make in your audio setup!

 

If you have any questions, please drop me a message!

How to get the latest version of Python on your Mac - The right way! by Andrew B. Powers

pythonlogo.jpg

How to install the latest version of Python on Mac OS (Big Sur)? A walk through for you!

If you run into this error…

WARNING: pip is being invoked by an old script wrapper. This will fail in a future version of pip. Please see https://github.com/pypa/pip/issues/5599 for advice on fixing the underlying issue. To avoid this problem you can invoke Python with '-m pip' instead of running pip directly.

…you have a problem with your Python installation!

Why you get this error message?

Python on a Macintosh running Mac OS is in principle very similar to Python on any other Unix platform. By default Mac OS comes with a Python 2.7 pre-installed by Apple, because several parts of the Mac OS rely on Python 2.x scripts, that Apple haven't updated yet. So the “for legacy purposes” is as much for Apple as any third-party scripts. Unfortunately it's either somewhat or very out of date, especially if you need Python 3.x.

How to fix it and overriding the old default pre-installed version?

I used Homebrew to (re)install Python and it’s really easy. Here is how to do this…

Open the terminal and enter this line to update Homebrew:

> brew update

To (re)install Python, run this command:

> brew install python

To see which version of Python your Mac is recognizing, enter this:

> python --version

It is still recognized only Python 2.7.17, you have to run the following command:

> brew info python

It told you the path to the newly installed Python 3.x.x. and this is what the command returned to you in terminal:

pyhtonhomebrewversion.png

Now you have to change the path to Python in order for your Mac to recognize the just installed current version. So you have to add the following line at the bottom of the .zshrc file, to update the path to the new (re)installed version of Python 3.x.x via Homebrew:

> export PATH=/usr/local/opt/python/libexec/bin:$PATH

Then you make sure to quit the terminal window and go back in, so that the path would actually be updated in a new terminal window instance. Now check what version of Python was recognized, with:

> python --version

And this is what executed command returned:

Python 3.x.x

Yeah, success! That was quit simple, right!?
Happy coding!

 

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POWERSTALLY - DIY Plug-and-Play Tally Light for OBS Studio by Andrew B. Powers

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The POWERSTALLY is a Tally Light/”ON AIR”/”RECORDING” sign for OBS Studio (fully Plug-and-Play).

During the COVID-19 (Corona) pandemic of 2020 and the associated lockdown, social life largely came to a halt and “social distancing” makes it impossible to hold meetings or events. Creative alternatives are being sought, many activities are moving online. So live video streaming or recording podcast/radio interviews remotely, is more popular than ever.

What is a tally light and why do you need it?

A tally light is a small signal-lamp on cameras or monitors and communicate, for the benefit of those in front of the camera as well as the camera operator, that the camera is live on air and the signal is being used for the main program at that moment.

Putting your old Raspberry Pi to use… or a new one!

The Raspberry Pi is a very cool tiny computer, that has many use cases. If you have an old Raspberry Pi laying around, don't let your old buddy sit forgotten and unused. The older Raspberry Pi models are also powerful enough for this awesome (DIY) project.

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OBS Studio Setup

obswebsocketsserversettings.png
 
  • In your scenes, rename all the scenes that you want to illuminate the tally light so that it includes a “+”. That character is the tally light’s signal to turn on. If you want to use a different character or use multiple tally lights with unique characters, just be sure to edit the python code accordingly.

obsscenes.png
 

Raspberry Pi Setup

  • Burn the latest version of Raspbian Buster Lite to a (micro)SD card. I use the Raspberry Pi Imager for macOS to do this.

  • To enable the SSH access, open the terminal, go to the boot drive on the (micro)SD card and create a empty file called ssh. Don't edit it!

      > touch /Volumes/boot/ssh 
  • My Raspberry Pi 1b has no inbuilt wireless card. So I upgraded it with the Edimax EW-7811Un. This little wireless nano USB adapter work out of the box. The only thing you should need to do is create the file with the correct setup.
    Create another file called wpa_supplicant.conf and open it with a text editor.

      > sudo nano /Volumes/boot/wpa_supplicant.conf

    Save the following text (note that country=ca is for the USA, use country=de for Germany, etc.) and safe the file (CTRL-X):

      ctrl_interface=DIR=/var/run/wpa_supplicant GROUP=netdev   update_config=1   country=US   network={           ssid="2.4gb-network-name"           psk="2.4gb-network-password"           }    network={           ssid="5gb-network-name"           psk="5gb-network-password"           }
  • Insert the (micro)SD card into the Raspberry Pi and power it up.

  • Connect to it via SSH:

      > ssh [email protected]
  • And change your password… yes, it’s important! ;-)

  • Update the system:

      > sudo apt-get update   > sudo apt-get upgrade
  • Install Python 3, pip, pythonping and multiping:

      > sudo apt-get install python3 python3-pip   > sudo pip3 install pythonping multiping
  • Install the following Python 3 modules for the OBS websocket client:

      > sudo pip3 install websocket-client obs-websocket-py RPi.GPIO
  • Create an text file to store the last IP address from OBS Websocket:

      > sudo nano /home/pi/obsaddress.log 

    Now you can enter the OBS Studio PC’s IP address into the text file. It will speed up the search for the first time, but isn’t necessary.

  • Change obsaddress.log ownership and permissions with:

      > sudo chown pi /home/pi/obsaddress.log   > chmod 777 /home/pi/obsaddress.log
  • Create the Python script:

      > sudo nano /home/pi/powerstally.py
  • Copy the code from my repository (https://github.com/andrewbpowers/POWERSTALLY).
    Edit the trigger_char variable if you don’t want to use the “+” character as a trigger.
    Make sure the password matches what was set in OBS Studio Plugin obs-websocket. And safe the file (CTRL-X).

  • Set the code to execute on boot:

      > sudo raspi-config

    Got to “Boot Options” -> “Desktop/CLI” -> “Console Autologin” -> “OK” and finish. But don’t reboot yet!

raspberrypiraspiconfigbootoptions001.png
  • Edit the boot script:

      > sudo nano /etc/profile

    and add this new line at the very end of the file and safe it  (CTRL-X):

      sudo python3 /home/pi/powerstally.py
raspberrypibootscript001.png
  • The cheap Edimax WiFi dongle worked pretty fine with the Raspberry Pi. But one problem I found is, that the WiFi connection would drop after a certain amount of inactivity. Time to disabling the WiFi power management permanently.

      > sudo nano /etc/modprobe.d/8192cu.conf
  • Enter this text and safe the file (CTRL-X).

      > options 8192cu rtw_power_mgnt=0 rtw_enusbss=0

    But this works only with WiFi chipsets from Realtek (in this case a RTL8192CU).
    How to check that wireless adapter was recognized and what driver is currently using?
    Easy! Type in following command:

      > lsmod
  • Reboot the Raspberry Pi

      > sudo reboot

Hardware Setup

  • The status light
    Building the circuit for the status LED, is very simple and easy. I use a 2v/20mA yellow LED and a 150 ohms resistor. Note the polarity of the LED. The long lead should be connected with the resistor to pin GPIO4 (pin 7) and the short lead should be connected to ground (GND) on the Raspberry Pi as shown on the diagram below. The status LED is optional, right, but I would recommend it - a very good way to know that the system is booted, connected and active.

  • The Tally Light/“ON AIR”/”RECORDING” sign

    To control high voltage/high current with the Raspberry P, I suggest you to pick up a relay module for this purpos, like the Waveshare RPi Relay Board. It will make your job much easier. Relay boards can be high or low active. So please check the specifications of the relay board and modify the powerstally.py python script it if necessary.

    CAUTION: Working with 110v/230v AC mains can be very dangerous! Please be extremely careful and take help from an expert.

raspberrypirelayboardcircuit001.jpg

My DIY “RECORDING” sign

I have been looking for a vintage “ON AIR”/”RECORDING” sign for a very long time. Unfortunately I didn't find one that I liked. Someday I decided to build my own pretty cool old school sign. The POWERTALLY was the perfect opportunity to get started and merge these two projects.

I cut some strips of Multiplex and built a simple wooden box (400mm/15.75” wide, 150mm/5.91” deep and 140mm/5.11” high). I stain it later and make a nice steel frame with a brushed look for the front too.

recodingsign001.jpg

I add two notches for the power cable. One into the backside and one into the housing bottom. Two small hooks mounted additionally on the back. So wall mount and stand, both possible and allows more flexibility.

recodingsign004.jpg

I mount the Raspberry Pi, the power supply unit and the relay board on the backside of the case. Give an easy access to all components, as well as to the (micro)SD card, USB-ports and ethernet port of the Raspberry Pi.

recodingsign002.jpg

I use white spray paint on the backside of the Plexiglass. For the front I use a desktop cutting machines to make self-adhesive letters and stick it on. Next I hit it with red spray paint. After the dry time I carefully peeling the letters and making sure not to peel off the paint as well. I install the yellow signal LED on the left side of the case and right next to it, a vintage style toggle switch. This makes it possible to light up the “RECORDING” sign as an normal lamp too. Pretty convenient!

recodingsign003.jpg

All in all, I have fun with this project and I’m really happy with the result. The “RECORDING” sign is so nice, that can go pretty much any room.

If you are looking for a unique and retro “ON AIR”/”RECORDING” sign to put in an studio, loft, entertainment center or man-cave, etc., I highly recommend making a cool DIY letter sign too.

recodingsign088.jpg
recodingsign078bw.jpg

Okay, so here are the parts and tools that I used for this project:

Parts:

Tools:

 

Happy building! :-)

Please do not hesitate to contact me or leave a comment for further questions.

 

If you like my work or the free stuff and want to say thank you, please use this opportunity now and

 
Buy Me a Coffee at ko-fi.com
 

THANK YOU, very much! 🙏🏻


POWERSRACK - Design Studio Rack by Andrew B. Powers

powersrack001.jpg

The POWERSRACK is beautiful uniquely handmade 19 inch studio rack design edition.

It’s made from very solid 18mm/0.71” (base/top) and 15mm/0.58"" (sides) multiplex beech panels. The embedded and stable aluminium slinding rails, makes it easy for installation of rack units. The rubber bands inside, prevents the screws from ratteling and holds them in place. The front of the rack and the rails are angled at 7 degrees, for more convenient display of your studio equipment. With the hairpin (4”/10cm) legs, the POWERSRACK will add both. Stability and a mid-century modern, timeless style. The racks holds up to 11U of gear, with room for extra cable storage. Every single detail, from function to finish, is tailored for your next great music production.

powersrack002.jpg

The wood of this model was staining with a mid walnut (“WEST HOLLYWOOD”) color and finished by five coats of finest shellac. So the surfaces looks different, as the angle of view or the illumination changes. Awesome!

powersrack003.jpg

The racks are 530mm/20.87” wide, 400mm/15.75” deep and 640mm/25.20” high. Available in colors of walnut (“WEST HOLLYWOOD”), grey (“BROOKLYN”), blue (“SHOREDITCH”), red (“KREMLIN”), green (“ASHTOWN”) and cherry wood (“SHINJUKU”). This studio rack is available in UK, USA, Canada, Europe and Australia.

Designed and manufactured with ❤️ in the California and England.

 

If you have any questions, please drop me a message!